This album develops its own gravitational point beyond the periphery of its protagonists. Burk is no longer Burk, and Moses is more than just Moses. They intertwine and become part of the other. This unusual process is demonstrated with particularly clarity in Song Of The Free Will, where they completely swap their roles. It s more about human coordinates than musical ones - yet it certainly has nothing to do with the much trumpeted concept of free will. Burk and Moses dispense with rational analysis and place their bets on deciding things in their own free .way. This is a sensationally low-key album, precisely because it is all too human.