Active in electronic composition since 1971, Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual 'superperformers' by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. The second Tzadik CD by this modern magus of electronica presents a fabulous and diverse program sampling voice, orchestra, electronics, pop music and more.