In an era when networked access to information is nearly universal and wearing influences on your sleeve is normalised, it often feels like everything's been done. Which begs the questions: What's the point of creating? Does the world need another still life of fruit? Another film about love? Does the world need another melody? His second album as Drugdealer, Michael Collins colours these existential conundrums with lush arrangements, memetic melodies, and a vulnerable tunefulness that tries to make sense of self-doubt and connected loneliness in our shared simulacra.